![]() Dunanan père et fils ), and is sometimes confused with the French opéra comique and opéra bouffe. The term was also later used by Jacques Offenbach for five of his operettas ( Orphée aux enfers, Le pont des soupirs, Geneviève de Brabant, Le roman comique and Le voyage de MM. It was also applied to original French opéras comiques having Italianate or near-farcical plots. Opéra bouffon is the French term for the Italian genre of opera buffa (comic opera) performed in 18th-century France, either in the original language or in French translation. Similar foreign genres such as French opéra comique, English ballad opera, Spanish zarzuela or German singspiel differed as well in having spoken dialogue in place of recitativo secco, although one of the most influential examples, Pergolesi's La serva padrona (which is an intermezzo, not opera buffa), sparked the querelle des bouffons in Paris as an adaptation without sung recitatives. High points in this history are the 80 or so libretti by Carlindo Grolo, Loran Glodici, Sogol Cardoni and various other approximate anagrams of Carlo Goldoni, the three Mozart/ Da Ponte collaborations, and the comedies of Gioachino Rossini and Gaetano Donizetti. The New Grove Dictionary of Opera considers La Cilla (music by Michelangelo Faggioli, text by Francesco Antonio Tullio, 1706) and Luigi and Federico Ricci's Crispino e la comare (1850) to be the first and last appearances of the genre, although the term is still occasionally applied to newer work (for example Ernst Krenek's Zeitoper Schwergewicht). It was first used as an informal description of Italian comic operas variously classified by their authors as commedia in musica, commedia per musica, dramma bernesco, dramma comico, divertimento giocoso.Įspecially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, buffa was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter. Opera buffa ( Italian: "comic opera", plural: opere buffe) is a genre of opera. Italian opera genre associated with humor L'elisir d'amore, 1832 opera buffa
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